ARRIFLEX 765 A Small Tribute to a Big Camera YMCinema The

Arriflex 765. Arriflex 765 Sammelblatt ARRI Rental has published BTS photos of BMW commercial shot in 1989 on the brand new (back then) ARRIFLEX 765 Sync-sound and suitable for dialogue scenes, the 765 offers a speed range of 2-100 fps, a bright optical viewfinder, iris-compensated speed ramps, and a mechanically adjustable 180-degree mirror shutter.

Sync-sound and suitable for dialogue scenes, the 765 offers a speed range of 2-100 fps, a bright optical viewfinder, iris-compensated speed ramps, and a mechanically adjustable 180-degree mirror shutter. In service for the last 30 years, the ARRIFLEX 765 combines the ergonomics of a 35 mm camera with the ultimate image quality of 65 mm film

Watch BMW Commercial Shot in 1989 by the ARRIFLEX 765 Y.M.Cinema

The ARRIFLEX 765 was conceptualized by Otto Blaschek, who had already engineered the ARRIFLEX 35BL and the 35 III, for which he won the "Scientific and Engineering Award" of the Academy of Motion Pictures The camera was conceptualized by Otto Blaschek, who had already engineered the Arriflex 35BL and the 35 III, for which he won the "Scientific and Engineering Award" of the Academy of Motion Pictures The ARRIFLEX 765 employs a standard 65 mm frame, with a 5-perforation pulldown and pro jection ration of 2.2:1

ARRI Rental 65 mm lenses. The camera was conceptualized by Otto Blaschek, who had already engineered the Arriflex 35BL and the 35 III, for which he won the "Scientific and Engineering Award" of the Academy of Motion Pictures The ARRIFLEX 765 was conceptualized by Otto Blaschek, who had already engineered the ARRIFLEX 35BL and the 35 III, for which he won the "Scientific and Engineering Award" of the Academy of Motion Pictures

ARRIFLEX 765 The Camera Behind “No Time To Die” Y.M.Cinema News. Even the exterior of the 765 is hardly different from a 35mm camera In service for the last 30 years, the ARRIFLEX 765 combines the ergonomics of a 35 mm camera with the ultimate image quality of 65 mm film